Shortlisted for the 2001 Booker Prize and Whitbread Novel of the Year Award
In the summer of 1997, four people reach a turning point: Alice Valentine, who lies gravely ill in her West Country home; her two sons, one still searching for a sense of direction, the other fighting to keep his acting career and marriage afloat; and László Lázár, who leads a comfortable life in Paris yet is plagued by his memories of the 1956 Hungarian uprising. For each, the time has come to assess what matters in life, and all will be forced to take part in an act of liberation - though not necessarily the one foreseen.
"synopsis" may belong to another edition of this title.
In Andrew Miller's third novel, Oxygen, the IMPAC-award winning author of Ingenious Pain offers an intense, claustrophobic tale of parallel lives experiencing regret and redemption.
A family reunion of sorts is underway in the summer of 1997 for Alice, a newly retired, long-widowed schoolteacher, dying of cancer at her home in the English countryside. Gathering at her side are her two sons: Alec, a myopic, indecisive translator, and the more gregarious Larry, an unemployed TV soap star whose glittering US career is about to take a nosedive into the shabby territory of porn films, so he can stave off bankruptcy and hold on to his disintegrating marriage. The counterpoint to this scenario is Laszlo Lazar, Hungarian exile and fêted playwright, whose latest work, Oxygene, Alec is translating. Lazar, who has a comfortable existence in one of the more fashionable Paris quartiers, seems to possess everything that Alec does not: critical success, a loving partner, a longstanding circle of artistic friends. Yet Lazar is tormented by memories of the 1956 uprising and a comrade he feels he betrayed. When a political splinter group asks him to undertake a mysterious mission, he seizes his chance to atone for the past.
Shifting between a quintessentially English idyll, the carousing bars of Paris, the physical and emotional aridity of California, and a Budapest of the past and present, Miller skilfully evokes his characters' stories and their common theme-the liberation of self--even if the end result is that self's destruction. He writes compassionately of the terminally ill Alice, clinging to the last vestiges of life, the last agonising breath: "Was that the last to go? Certain gestures, reflexes, a way of cocking the head or moving the hands in speech?" He reminds us that human beings have choices, even in despair, and he provides a suitably ambiguous ending to round off a wise and engrossing novel.--Catherine Taylor
Highly accomplished ... breathe in and enjoy (Spectator)
Miller's use of imagery is always unexpected, sometimes astonishing ... it is also impossible to put down (Independent on Sunday)
His prose is perfectly balanced, both beautiful and exact (The Times)
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