This title deals with two artists, two volumes, and one vision. This is the enigmatic and genre-defying work of Inez van Lamsweerde and Vinoodh Matadin. Inez van Lamsweerde and Vinoodh Matadin's work has graced the walls and pages of some of the world's finest galleries and fashion magazines, and if it is surprising that their photographs easily float between these worlds, it is by virtue of their ease in creating imagery that seeks homes in both culturally elite and mainstream outlets. For some of their photographs, such as their portrait of Bjork or campaign for Givenchy, van Lamsweerde and Matadin have worked in collaboration with the art directors M/M (Paris), who have also designed this sumptuous two-volume retrospective set that looks back at "pretty much everything" that the photographers have been working on for over two decades and has brought them to the forefront in the fields of both art and fashion.
"synopsis" may belong to another edition of this title.
"It is typical of the photographic art of van Lamsweerde and Matadin that they urge their image making to de-stabilise the pristine surface expected of consumer culture; to this end they make use, in turn, of the Gothic, inscrutability, androgyny, comedy, eroticism, surrealism, fantasy, montage, cinema, replication, image manipulation, Pop art, fetishism and art historical nuance." (Michael Bracewell, from the introduction)"
Penny Martin is Editor in Chief of The Gentlewoman magazine and Chair of Fashion Imagery at London College of Fashion, University of the Arts London. Previously, she was Editor in Chief of SHOWstudio.com from 2001-08. Penny has curated several exhibitions - most recently, When You're A Boy: men's fashion styled by Simon Foxton at The Photographers' Gallery, London - and is a contributor to numerous magazines and newspapers including Fantastic Man, W and The Independent. Michael Bracewell is a UK based novelist and cultural historian. He writes extensively on modern and contemporary art, and his most recent publications include Richard Hamilton: Modern Moral Matters (Serpentine Gallery, London, 2010), Bridget Riley Paintings and Related Work (National Gallery, London, 2010), Damien Hirst: Beautiful Inside My Head Forever (Sotheby's London, 2008) and The Postcard Art of Gilbert & George 1979 - 2010 (Prestel, 2011). Olivier Zahm, founder and co-editor of Purple Magazine is an internationally acclaimed writer, art curator and fashion theorist. He lives in Paris. Bruce Sterling is author, journalist, editor, and critic. His nonfiction works include The Hacker Crackdown: Law And Disorder on the Electronic Frontier (1992), Tomorrow Now: Envisioning the Next Fifty Years (2003), and Shaping Things (2005). Antony Hegarty is a musician and artist from New York. He performs with his group Antony and the Johnsons. In 2010 he released an album and a book of drawings called Swanlights. Much of Hegarty's recent work addresses his relationship to the natural world.
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Seller: Vagabond Books, A.B.A.A., PASADENA, CA, U.S.A.
Hardcover. Condition: New. THREE VOLUME SET IN SLIPCASE FIRST EDITIONS. Seller Inventory # 3836527871
Quantity: 1 available
Seller: artbook-service, Berlin, Germany
gebunden. Condition: Neu. Neu -Zwei Künstler - eine Vision: Das Duo Lamsweerde/Matadin betätigt sich seit zwei Jahrzehnten als Team sowohl in der Mode- und Designfotografie als auch auf dem Feld der künstlerischen Fotografie und wandelt auf Genre sprengenden Pfaden. Dieser Doppelband vereint die beiden Positionen in einer limitierten Ausgabe. Bekannte Arbeiten wie das Björk-Portrait oder die Kampagne für Givenchy und andere angesehene Modemagazine und Galerien sind neben weiteren berühmten Aufträgen, die sowohl das Fachpublikum wie die Konsumenten überzeugten. Beide haben an dem Konzept der Edition mitgearbeitet und beide haben jedes der 1000 Exemplare signiert! Mitgearbeitet haben die derzeit gefragten Kreativen aus der Mode- und Fotoszene, wie etwa Penny Martin (Kuratorin, Professorin in London), Michael Bracewell (Autor, Kulturhistoriker London) oder Bruce Sterling (Kritiker, Journalist, Autor) u.v.a. »Typisch für die Fotokunst von van Lamsweerde und Matadin ist, dass sie ihre Bilder nötigen, die von der Konsumgesellschaft erwarteten makellosen Oberflächen zu destabilisieren; hierzu bedienen sie sich zahlreicher Mittel: Schaurig-Groteskes, Unergründlichkeit, Androgynes, Komödie, Erotik, Surreales, Fantasy, Montage, Kino, Replikation, Bildmanipulation, Pop-Art, Fetisch und kunstgeschichtliche Schattierungen.« Michael Bracewell, aus der Einleitung (Text dt., engl., frz.) 984 pp. Deutsch. Seller Inventory # 542695
Quantity: 2 available