Tempesta Antonio (115 results)

Condition: New.

Trade Paperback. Condition: Good. Antonio Tempesta (Engravings) (illustrator). 275 pp. Solidly bound copy with moderate external wear, crisp pages and clean text. Creased spine. Marker spot on inside of front cover.

Couverture rigide. Condition: Moyen. Antonio Tempesta (illustrator). Ill. folding plate. Bookplate and seal of the Fraser Institute, publishing binding a bit worn. Covers and 2 last folding plates detached.

Paperback / softback. Condition: New. Tempesta, Antonio (illustrator). New copy - Usually dispatched within 4 working days.

paperback. Condition: Nuovo (New). Brossura editoriale che raccoglie 47 tavole di Antonio Tempesta (!555-1630) tratte dal libro di Padre Antonio Gallonio, della Compagnia di Gesù, pubblicato a Roma nel 1591 (Trattato de gli instrumenti di martirio e delle varie maniere di martoriare usate da gentili contro christiani). Precede le tavole un breve scritto del Marchese De Sade "Contro il cristianesimo". Senza data e luogo di stampa, anni Novanta del secolo scorso. Copia in condizioni di nuovo. . Book.

Condition: Good. 1991. Unpaginated. Black paper folder containing 13 loose leaf maps. All text printed in Italian. Facsimile reprint of 1693 original. Pages are bright and clear with some light foxing and tanning. Slight creases to corners. Folder is scuffed in places with minor shelf wear to edges and corners.

flessibile. Condition: Nuovo (New). Quarantasette incisioni di Antonio Tempesta, precedute da un Discorso del Marchese De Sade. 101 p., f.to cm 20x13, copertina flessibile con sovraccoperta, con 47 tavole in nero. Nuovo. Book.

Condition: Nuovo. Bross.con cop. ill. a col., cm 29x24, pp 167, moltissime tavv. e ill. a col.

Condition: Sehr gut. Zustand: Sehr gut - Gepflegter, sauberer Zustand. | Seiten: 336 | Sprache: Englisch | Produktart: Bücher.

Buch. Condition: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Condition: DISCRETO USATO. ITALIANO Incisioni in bianco e nero precedute da un discorso del marchese De Sade. Sovraccoperta illustrata come da foto mostrante abrasioni e piccoli strappi ai margini ed a ridosso del dorso. Copertina in cartoncino morbido muta con quasi impercettibili segni di usura. Pagine in buono stato generale di conservazione anche se già lette e sfogliate. Lieve ondulazione dei fogli ai margini non impedente la fruibilità della lettura. Numero pagine n.n.

Hardcover. Facsimile Edition. Oblong 12mo, [4], 150, [1] leaves. In Very Good condition. Bound in full blue cloth with silver titling to spine. Very light shelf wear to boards; very light bumping to head and tail of spine. Top edge of text block somewhat dusty. Part of the Garland series THE RENAISSANCE AND THE GODS, containing facsimiles of the Amsterdam 1606 edition of Tempesta's METAMORPHOSEON.OVIDIANARUM. Based on a copy in the Bodleian Library. Shelved in Room G. 1389157. Special Collections.

Taschenbuch. Condition: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

Rilegato. Condition: new. A cura di Salwa U. e Wanderlingh A.Napoli, 2022; ril., pp. 48, ill., cm 24x30. Nella pianta di Antonio Tempesta, risalente alla fine del '500, tutto parla del papa Sisto V e delle profonde trasformazioni di Roma che avevano rese obsolete le precedenti vedute della città. Con una lucida intelligenza urbanistica, il pittore e incisore d'origine fiorentina realizza una nuova pianta in cui compaiono le grandi opere che avevano abbellito Roma, gli assi del moderno assetto viario, gli obelischi nelle piazze tra cui quello in piazza San Pietro, il monumentale acquedotto di Acqua Felice. E poi, con scrupolosa attenzione, anche gli interventi minori, come i palazzi nobiliari quasi come deferente omaggio cortigiano a chi nell'epoca contava. Insomma, l'identificazione della città con un papa, ma anche con l'archistar dell'epoca e cioè quel Domenico Fontana che aveva abbellito Roma con i suoi edifici, il suo bugnato, i suoi finestroni tamponati. Aggiungendo a questo una città descritta dall'alto del Gianicolo quasi a volo d'uccello, nel chiaroscuro di una calda luce probabilmente estiva e pomeridiana, ne deriva un'opera che avrà l'onore di rappresentare Roma per oltre un secolo e mezzo. E che ancora oggi ci restituisce il fascino di quell'epoca. Libro.

Hardcover. Antonio Tempesta (illustrator). 135 p.; 67 woodcuts (as p. [69]-135), facs. of 1591 colophon, 4 folding pl.; 22.5 cm. (Holbein Society. Fac-simile reprints ; 8) Contents: Type-facsimiles of original title-pages -- General introduction and notice of Ant. Tempesta -- Catalogue of the engraved works of Tempesta [p. 25-51, 1461 grouped or separate items, extracted from the catalogue by Adam Bartsch] -- Notes to the Catalogue -- Preface of Malanimeus [1774, in Latin, with English translation] -- Monograms indicating Tempesta's work -- Reproduction of the wood engravings of the Arabic Gospels [not including the text] -- Folding facsimiles at end: [1-2] Copy of a page in the Koran, believed to be written by Caliph Omar; [3] Battle scene on copper-plate, designed by Tempesta [no. 24, from a Dutch edition]; [4] page 204, Arabic text with sublinear Latin version, from the original edition of 1591: Mark 12, with illus. of the widow's mite [completing the series of 68 woodcuts] -- [The edition of 1591, 9-462 p. in folio, the introductory matter not published, is described in Darlow & Moule, no. 1637, with the first reissue of 1619 as no. 1642 (including a note on the second reissue of 1774 with added preface by Caesar Malanimeus)] Fair orig. brown-violet cloth, Most of backstrip chipped off.

Hardcover. Condition: As New. No dustwrapper as issued. Facsimile reprint published in Cologne 1602.

Couverture rigide. Condition: Bon. Ant. TEMPESTA (illustrator). AA2. Ouvrage orné de 46 planches. Livre a été relié. Couverture conservée. Dos à 5 nerfs. Frottés sur le dos (le cuir s'est ouvert par endroits). Sinon bel état de ce livre. Envoi rapide et soigné.

Condition: New.

Condition: Buono (Good). acquaforte in ottavo cm. 28,5 x 20,5 Buono (Good) Buon es. Book.

Soft cover. Condition: New. Riproduzione fototipica. 12 pages : 43 cm.

Album à l'italienne, suite de 26 eaux-fortes (180 x 135 mm) sur papier fin beige, montées sur papier vélin (270 x 220 mm), 20 portent la signature de Callot, 6 de Tempesta (mouillures aux deux premières). Broché. Estampes décorant le livre intitulé : Esseqvie della sacra cattolica e real maesta di Margherita d'Avstria, regina di Spagna, celebrate dal serenissimo don Cosimo II Gran duca di Toscana IIII, Descritte da Giovanni Altoviti. In Firenze, Nella stamperia di Bartoloméo Sermatelli e fratelli. 1612. Cette suite devait compter vingt-neuf estampes gravées par différents maîtres et dont quinze seulement de Callot ; ce sont les premières qu'il ait gravées à l'eau forte, en arrivant à Florence.

Condition: Good. Folio. 31.5 x 46cm. 18 11/16 x 13 in. Gilt-decorated cat's paw and speckled calf, gilt-decorated spine with raised bands and gilt-titled morocco label, all edges marbled. Large folio; ?2 *2 A-2E2; [8], XXIV, [1], 76pp. With half-title, title, explication, tables, préface, printed marginalia, (4) engraved vignettes by B. de Bakker, (6) hand-colored, engraved folding maps, (36) engraved plates with text pasted (some printed double-sided). Text in French. Writing on title page states "Envoyé par l'auteur a Monsieur le Chevalier Harris à La Haye. . . 1787" (Sent by the author to Monsieur le Chevalier Harris in The Hague. . . 1787); occasional pasted corrections to text. .This large volume focuses on the Batavian Revolt, an uprising against the Roman Empire in 69-70CE.Boards scratched and scuffed with edgewear, corners bumped and rubbed; spine rubbed with chipped tail and label, loose headband, and leather loss and pealing at head, cracking and rubbing at joints; possibly lacking a front and rear endpaper, writing on title and front paste-down, light hinge cracking yet still very sturdy; pages with scattered foxing, expected offsetting from plates, very light toning with heavier toning at edges, and occasional small area of grime/soiling, crease/fold, and frayed edge; several plates with some spotting and faint damp staining, one map with frequent damp staining/spotting from colorist, one map with small tear and associated repair on verso, heavier foxing on final maps; a very good copy with most pages extremely crisp and unmarked.OCLC Number / Unique Identifier:3781239.

Hardcover. Condition: Good. A beautifully bound first edition of the pontifical resulting from the Council of Trent, which establishes the details of the rituals that only the bishops are authorized to celebrate. This is the official and complete liturgy of the Roman Catholic Church, containing offices for ceremonies and rituals such as as baptism, communion, confirmation, ordination, and more. There are numerous liturgical songs throughout in Latin, for the various ceremonies. This volume contains only the second and third parts of the work, and the general title page is lacking, which would only be present at the start of the first volume. This work is illustrated with numerous copperplate engravings, illustrating in particular the blessing ceremonies of a church and bells. The carefully executed binding (likely Italian), presents a large number of small figurative icons, from cherubs, sirens, dragons, urns, eagles, and lions, which highlight the main figure of the owner's coat of arms. The period binding is a beautiful garnet morocco, the boards richly adorned with a composition of golden fillet lines and additional designs. On note of provenance, this pontifical bears several: firstly, there is the binding of the bishop's arms for which this was originally bound for; then, there is an undated ex-libris inscription for the Congregation de la Mission in Beziers; then there is another ex-libris inscription dated 1833, for Philibert de Bruillard, bishop of Grenoble; and lastly an old stamp in the margin of the title bearing the initials "GS" framed against a cross. One volume in large folio, 281-538, 539-705 pages On note of condition, this volume is in good shape, with some rubbing and wear to the boards, and crease marks to the corners of the boards, as well as restorations to three of the corners. There is wear to the margins of the pages of the beginning. There is damp staining throughout, with some light soiling present.

Hardcover. Condition: Near Fine. No Jacket. Tempesta, Antonio (illustrator). 12mo. Full vellum. Spine lettered. [24] 576 p.p., plus [48] p.p. index. Engraved half-title page and engraved vignette on title-page. Features [44] engravings, illustrating numerous medieval torture methods and devices. Atonio Gallonio [1556-1605] was a Roman priest in the Congregation of the Oratory. Interested in the Martyrs, Gallonio studied the various methods of torture they endured, which resulted in a book about the subject, first appearing in Italy in 1591. Bookplate of Hal Hitchcok to front pastedown. Soiling to covers. Small early doodle on title-page. Slight bumping at corners. Small bumps on spine. Rubbing to outer edges. Light damp stains to head and foot of first few leaves. Interior clean and crisp. Bright. A near fine copy.

Hardcover. Condition: poor to vg. First edition. Folio (15 1/4 x 10 3/4"). [8], 705, [1]pp. Contemporary gilt-stamped calf, with gold lettering and tooling to spine. Raised bands. Dentelles. Striking floral design painting to paper edges, with head of Christ on fore-edge. Engraved title by Francesco Villamena. Title page in red and black lettering, and highlighted in gold. Decorative initials and tailpiece. Dedication to Pope Clement VIII by M. Vestrius Barbianus, the Papal secretary. Printer's device on last page. Illustrated with no less than 156 magnificent hand-colored in-text engravings, this monumental work is the official and complete liturgy of the Roman Catholic Church. It contains the offices for sacramental and other sacred acts and ceremonies, such as baptism, communion, confirmation, ordination, matrimony, dedication of churches, altars, bells, benediction of crosses, sacred vestures, burials, coronations, etc. Also includes numerous liturgical motets in Latin for Masses, Te Deum, and other religious ceremonies. All the engravings, as well as the decorative initials and the printer's device at rear have been splendidly handcolored by a contemporary previous owner. Binding rubbed along edges. Covers detached, but present. Title page repaired and re-laid. The first 24 leaves are disbound. Pages 15 to 30 heavily sunned, with sporadic holes (thus partly affecting text and some illustrations). Minor to moderate age-toning along paper margin for the remaining pages. Text in Latin. Binding in overall poor, pages 15-30 in poor to fair, the remaining pages in good to very good condition.

Acquaforte, mm.181x278. Margini a filo della parte incisa. In basso a sin. monogramma dell'A. (AT). Inc. applicata interamente su carta forte. Bella scana di caccia al toro di cui si conoscono molte versioni.

Acquaforte mm. 200x283 rifilata lungo il margine. L'incisione è derivata da un soggetto di Antonio Tempesta del 1613 con storie tratte dall'Antico Testamento.

Acquaforte mm. 200x283 rifilata lungo il margine. L'incisione è derivata da un soggetto di Antonio Tempesta del 1613 con storie tratte dall'Antico Testamento.

Paris, Charles Carrington, 1904. In-8, 234 pp. 46 pl., broché, couverture originale imprimée (couverture empoussiérée, petites rousseurs aux premiers et derniers ff.) Nouvelle édition illustrée de reproductions en noir des gravures de Tempesta. Voir photographie(s) / See picture(s) * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du lundi au vendredi de 14h à 19h. Merci de nous prévenir avant de passer,certains de nos livres étant entreposés dans une réserve.

Acquaforte mm. 225x290 su foglio di mm. 260x355. Tiratura ante litteram. Titoli manoscritto, ormai sbiaditi, al margine bianco inferiore.