Henri Matisse Cut Outs (260 results)

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: Good. Good condition. Very Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 1.4.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condition: New.

Paperback. Condition: Good. creases on cover and pages. Small creases on cover and pages. Priority shipping availible on this item. NO international shipping.

Paperback. Condition: Very Good. Henri Matisse Cut-Outs This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.

Perfect Paperback. Condition: Good. No Jacket. Ex-Libris and is stamped as such. Moderate shelf wear. Please note the image in this listing is a stock photo and may not match the covers of the actual item. Book.

Condition: Good. . . All orders guaranteed and ship within 24 hours. Before placing your order for please contact us for confirmation on the book's binding. Check out our other listings to add to your order for discounted shipping.

Paperback. Condition: Very Good. Illustrated by Color, b/w illus. (illustrator). First Edition. VG in pictorial wraps, 8vo 98pp Size: 8vo - over 7¾" - 9¾". Book.

Paperback. Condition: Very Good. First edition. 9 x 11 in, Paper wraps. Lavish color plates. Condition is VERY GOOD ; some tears and loss to front cover. Binding tight and text unmarked. Art. Stax.

Condition: Bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Hardcover. Condition: Very Good condition. Dust Jacket Condition: Very Good dust jacket. Matisse, Henri (illustrator). English language edition. Taschen, 2016. Very Good condition in a bright and shiny Very Good dust jacket. The jacket is protected by a removable Brodart clear-plastic sleeve. NOT a library discard. NO owner's name or bookplate. NOT a remainder. Pages are clean and unmarked. NO underlining. NO highlighting. NO margin notes. Beautifully illustrated in full color throughout. English translation by Chris Miller. Hardcover. 8.5" wide by 10.5" tall. Bound in the original white boards, stamped in black. From the dust jacket: "Henri Matisse (1869-1954) was a fighting spirit. Despite a cancer diagnosis in 1941, increasing frailty, and the confines of a wheelchair, the indomitable Frenchman never stopped in his quest to make art. With what he called une seconde vie, a second life, he embarked on a remarkable collage period, cutting and pasting pieces of colored paper into gouaches découpées of birds, plants, flowers, and the female form. Emphasizing color and contrast, the cut-out technique generated both striking lines and vivid juxtapositions. In works such as Icarus (1943), The Blue Nude (1952), The Snail (1953), and The Sheaf (1953), clean forms and elemental structures power a compositional force that belies the work's decorative appeal, at once tightly organized and infectious with joie de vivre. As his work progressed, Matisse's excitement with his results fueled ever-larger pieces, advancing from small works to vast wall-sized murals. As his final years approached, Matisse reveled in the simplicity and brilliance of these pieces, avowing, 'Only what I created after the illness constitutes my real self: free, liberated.' In this essential introductory book, we revisit this joyful final chapter of Matisse's long and prodigious career, examining how the cut-outs encapsulated the artist's many years exploring the possibilities of composition, form, and color.". English language edition. Hardcover. Very Good condition/Very Good dust jacket. Illus. by Matisse, Henri. 96pp. Great Packaging, Fast Shipping.

Hardcover. Dust Jacket Included. 7 1//4" x 8 3/4". 96 pgs; Index; full-page b&w photo of Matisse in his studio; h.b. with d.j. colorful-pictorial endpapers; magnificently ills. with paintings, sketches, & other artistic forms on every page; very slight wear to d.j. edges; book is near mint. Size: 7 1//4" x 8 3/4".

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. 1st Edition. 1st. ed. 1977 , Hardcover with the dust jacket , 304 page book with black and white and color illustrations . Condition : Very Fine. Size: 4to - over 9¾" - 12" tall. Book.

Hardcover. Condition: Brand New. sew edition. 32 pages. French language. 10.00x7.25x0.50 inches. In Stock.

Condition: like new. Photo non contractuelle. Envoi rapide et soigné.

Paperback. Condition: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

First edition and first printing. Hardcover. 304 pages. Published in conjunction a traveling exhibition. Features an introduction by Jack Coward along with essays by Jack D. Flam, Dominique Fourcade, John Hallmark Neff. Includes 305 illustrations with 25 color plates. A clean and tight near fine copy in cloth boards with some slight tapping to the top corners and in a near fine dust jacket with some very minor wear.

Hardcover. Condition: VG+/VG+. Black casebound book with a dust jacket that has the title in white down a blue spine. The free and pasted end pages are color illustrated. Pages: (5), 6-298. Profusely illustrated with color images. Contains several foldout displays. Contents are as follows: Introduction : The studio as site and subject / Karl Buchberg, Nicholas Cullinan, Jodi Hauptman, and Nicholas Serota ; Inventing a new operation / Jodi Hauptman ; 'An agreeable distraction' / Nicholas Cullinan -- In the studio: a photo essay -- Chronicle : Avant la lettre / Samantha Friedman ; Game and endgame / Samantha Friedman ; Chapel factory / Flavia Frigeri ; Bodies and waves / Jodi Hauptman ; Chromatic composition / Nicholas Cullinan -- Materials and techniques / Karl Buchberg, Markus Gross, and Stephan Lohrengel.

Condition: Very Good. Softcover book, first edition, 125 pages with illustrations, the development of cut-outs Matisse's work with them from 1941 and their place in the art of the 20th century. A Very Good copy with slight tanning to closed page edges. No inscriptions, Pictures available.

Condition: Very Good. First Edition.

4to, pp. 304. Appendices, list of exhibitions, bibliography, index. Copiously illustrated with photographs and reproductions in black and white; some plates in color. Published to accompany an exhibition. Paper wraps. Cover little chipped and soiled, o/w a VG tight copy.

Soft cover. Condition: Very Good. Very good unmarked condition.

Paperback. Condition: Very Good. No Jacket. This copy is in good condition. The covers have minimal rubbing and edgewear. Text is clean and secure in binding. Size: 4to - over 9¾" - 12" tall.

First edition, first printing edition. Near fine paperback, with some ink marks to the bottom edge and the name Frost and date '95 written onto the half title page.

Hardcover. Condition: Very Good. Washington: National Gallery of Art, (1977). 304 page soft cover. Contents are very bright and clean. Paper wrappers are crisp with light soil. Overall a very good copy.

Softcover. Condition: Near Fine. First edition. Near fine in pictorial wrappers.

Broschiert. Condition: Gut. unpaginiert, bebildert. Buch gut erhalten, Einband leicht berieben. ISBN: 9783822894439 Sprache: Deutsch Gewicht in Gramm: 200.

Softcover. Condition: Fine. First Edition. Karl Buchberg, Nicholas Cullinan, Jodi Hauptman, Samantha Friedman and Flavia Friger have edited this fine and due homage to the French painter and colorist Henri Matisse following a lengthy museum exhibition of the same name. Contributions by them and also by Markus Gross, Jodi Hauptman, Stephan Lohrengel and Nicholas Serota. Two hundred-fifty black-and-white illustrations and 54 in full color, printed on high-gloss paper. Sterling condition softcover copy in tall, Imperial octavo size, measuring 10 1/2" tall x 9" wide. Unfurled tips, tight binding, and clean internals, showing only very slight shelf- and edge-wear to the glossy pictorial wraps, in gate-fold. From the publisher's blurb, "Published in conjunction with the most comprehensive exhibition ever devoted to Henri Matisse?s paper cut-outs, made from the early 1940s until the artist?s death in 1954, this publication presents approximately 150 works in a groundbreaking reassessment of Matisse?s colorful and innovative final chapter. The result of research conducted on two fronts--conservation and curatorial--the catalogue offers a reconsideration of the cut-outs by exploring a host of technical and conceptual issues: the artist's methods and materials and the role and function of the works in his practice; their economy of means and exploitation of decorative strategies; their environmental aspects; and their double lives, first as contingent and mutable in the studio and ultimately made permanent, a transformation accomplished via mounting and framing. Richly illustrated to present the cut-outs in all of their vibrancy and luminosity, the book includes an introduction and a conservation essay that consider the cut-outs from new theoretical and technical perspectives, and five thematic essays, each focusing on a different moment in the development of the cut-out practice, that provide a chronicle of this radical medium?s unfolding, and period photographs that show the works in process in Matisse?s studio. One of modern art's towering figures, Henri Matisse (1869?1954) was a painter, draftsman, sculptor and printmaker before turning to paper cut-outs in the 1940s. From the clashing hues of his Fauvist works made in the South of France in 1904?05, to the harmonies of his Nice interiors from the 1920s, to this brilliant final chapter, Matisse followed a career-long path that he described as "construction by means of color." As for the contributions to this major exhibit, Karl Buchberg is Senior Conservator at The Museum of Modern Art. Nicholas Cullinan is Director of the National Portrait Gallery in London. Jodi Hauptman is a Senior Curator at The Museum of Modern Art. Samantha Friedman is an assistant curator of the Department of Drawings and Prints at The Museum of Modern Art. Flavia Frigeri is an assistant curator at Tate Modern in London; she is the organizing curator for Tate?s Young Patrons. [5], 6-298 pp.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.