Picasso: Art, Prints, & Posters, Signed (17 results)

No Binding. Condition: Fine. 1st Edition. Original Lithograph, Signed By The Artist Pasquale G Napolitano Below The Image. A Fine Impression With Good Variation In Intensity. The Same Lithographic Plate, With Image Trimmed At Top And Bottom, Was Used For The Frontispiece To The Limited Edition Book Edited By Merle Armitage, "21 Statements" , 1936, The First Book Printing Of Two Magazine Articles By Picasso. This Example Of The Full, Untrimmed Lithograph Is From Napolitano's Own Collection. Napolitano Studied At Chouinard And Otis To 1925, Worked With Herman Sachs And Later On His Own Doing Architectural Murals (Los Angeles City Hall, The Miami Beach Biltmore, And Many Prominent Buildings And Estates), Studied Ceramics In Ny And Painting In Germany, And After Returning To Los Angeles In 1933 Began Working In All Media, Including Many Murals For The Wpa, Where He Met Armitage, Who Published A Book About Him In 1935. Signed by Illustrator(s).

Softcover. Condition: Sehr gut. Schutzumschlag. "Pablo Picasso / Henri-Dante Alberti. Titel: Dans l'argile de Picasso. Poems de Henri-Dante Alberti. Signatur: Von Henri-Dante Alberti mit Bleistift auf dem Umschlag signiert. Inhalt: 28 Seiten, 25 Gedichte in französischer Sprache. Auflage: 200 Exemplare nummeriert. Hier ein Exemplar außerhalb der Nummerierung. Technik: Ein Original-Farblinolschnitt von Pablo Picasso auf dem Umschlag. Motiv: Lebensfreude - ballspielende Kinder. Motivgröße: 7,7 x 13 cm. Größe der Publikation: 23,5 x 15,5 cm. Entstehungsjahr: 1957. Werkverzeichnisse: Baer IV, 1046, Cramer N° 89, Bloch 1273. Zustand: Sehr guter Zustand. Anmerkung: Dieses Bändchen mit 25 Gedichten widmete Henri-Dante Alberti, ein junger Dichter aus Vallauris, dem Maler und Töpfer Picasso aus Anlass des zehnten Jahrestages seiner Ankunft in der Töpferstadt. Picasso hat eigens für den Umschlag dieser Publikation den Linolschnitt "Jeu de ballon sur une plage" (Ballspiel am Strand) geschaffen.". Signatur des Verfassers.

Soft cover. Condition: Good. 1st Edition. Folio (590x395mm) - Pablo Picasso Sueño y mentira de Franco (The Dream and Lie of Franco) is a series of two sheets of prints, comprising 18 individual images (post-card size), and an accompanying prose poem, by Pablo Picasso produced in 1937. The sheets each contain nine images arranged in a 3x3 grid. The first 14, in etching and aquatint, dated 8 January 1937. The remaining four images were added to the second plate later, without use of aquatint, and dated June 7, 1937. (directed related to studies for Guernica) set of 18 etchings mounted on two plates (Chine collé), each plate signed and numbered in pencil (one of 150 copies). The covers has some small stains on the edges, and the prints show signs of wear, otherwise in Good condition. Signed by Author(s).

Pas de couverture. Condition: Bon. PICASSO (illustrator). Affiche Exposition PICASSO Érotique Galerie Nationale du Jeu de Paume - 2001 Affiche originale, offset - composée à partir de « Dora et le Minotaure » 1936. affiche couleurs, sur papier glacé (40 cm x 60 cm) bon état d'usage (envoi protégé sous tube cartonné - trace de pli en haut à droite, cf scan). Signé par l'auteur.

Condition: used. A vibrant copy of Pablo Picasso's abstract painting, Still Life on a Pedestal Table. Finely mounted in a white wooden frame. Signed 'Slynn'. On board. Size: X-Large (>60cm) Framed: Yes Style: Abstract.

No Binding. Condition: Fine. 1st Edition. STEADMAN, Ralph. Original five colour screen print of T. S. Eliot in the style of Picasso. Aberdeen: Peacock Visual Arts 1994. One of a limited edition of thirty copies printed on English mould-made paper (see note below), signed and numbered 8/30, by the artist in pencil. Size: 700mm x 960mm. Unframed. Fine copy, as issued. Bought direct from the artist. Note: A superb screenprint made during a long residency at Peacock Visual Arts, Aberdeen, in the 90s. This screenprint formed part of a larger suite that recognised writers who influenced Steadman, including Burns, Burroughs, Hardy, Hemingway, Joyce, Kafka, Nin, Orwell, Proust and Woolf. Peacock no longer have a record of the paper used in printing this screenprint but believe it was most likely Somerset satin, white, English mould made . I am sure that I can find it in my beating Heart to say the most wonderful things about printing at 21 Castle Street Aberdeen in ALL weathers! For me it was one of the seminal experiences of my life working with Michael Waight, Ailsa McWilliam Arthur who went to Dundee and all the good folks who helped me to draw out of any deep-etched zinc-or copper plate whatever it was I was attempting to coax out of the, as yet faceless, heartless surface what it was I was travelling so far to find!!! Peacock Printmakers are to my mind- and way of thinking the very best place in this World to express our visual thoughts as Visual Arts Prints of the finest quality Prints to be proud of and worthy of all the hard work it takes to produce them THANK YOU ALL- for those special times you made me feel like PICASSO!! or was it DUCHAMP!??? Never mind! It was SPECIAL! WARMEST Ralph STEADman. Letter from Steadman to The staff at Peacock. Signed by Author(s).

Kein Einband. Condition: Gut bis sehr gut. "PABLO PICASSO. 1 Kaltnadelradierung aus: Picasso. - Mérimée, P., Carmen 1949. Motiv: Stierkopf mit Textfragment. Das Einzelblatt ist unter der Darstellung links mit Bleistift nummeriert. Blattgröße: ca. 33 x 25,6 cm. Papier: handgeschöpftes Velin de Montval. Das Blatt ist am oberen Rand mit Bleistift mit Picasso von fremder Hand bezeichnet. Zustand: altersgemäß sehr guter Zustand, minimal angeschmutzt. Mappenauflage: insgesamt 320 Expemplare, davon 289 Explemplare auf Velin de Montval und 11 Explemplare auf Japon Imperial. Werkverzeichnisse: Bloch 531-568. - Bloch, livres 51. - Goeppert/Cramer 52. - Horodisch S. 45. - Rauch 72. Information zur Publikation: Picasso. - Merimee, P., Carmen. Mit 38 (30 blattgr.) Orig. -Kupferstichen von P. Picasso. Paris, La Bibliothèque Francaise 1949. Lose Lagen. 289 nummerierte Exemplare auf handgeschöpftem Velin de Montval, im Druckvermerk von Picasso signiert. - Enthält 30 ganzseitige originale Kupferstiche/ Radierungen , 4 Initialen und 4 Vignetten. Druck der Kupferstiche im Atelier R. Lacourière, Paris. - "Louis Aragon machte Picasso den Vorschlag, diese Erzählung zu illustrieren. Die besonders durch die Oper von Georges Bizet seit 1875 populär gewordene Geschichte weckte in Picasso vornehmlich Assoziationen an die Corrida, den spanischen Stierkampf. (. ) Der Text der Erzählung ist fortlaufend mit 38 Kupferstichen illustriert, die von Mai bis November 1948 entstanden sind. Es handelt sich um Serien skizzenhaft erfasster weiblicher und zum Teil männlicher Gesichter sowie von drei Stieren. Siehe auch Abbildung in: Picasso Künstlerbücher - Udo und Anette Brandhorst, Hirmer Verlag 2010, S. 171.". Signatur des Verfassers.

Kein Einband. Condition: Sehr gut. Pablo Picasso (Malaga/Spanien 1881 - 1973 Mougins/Frankreich). Titel: Le Fumeur. Technik: originale Lithografie. Entstehungsjahr: 1964. Anmerkung: Lithografie aus der Vorzugsausgabe des Buchs "Pour Daniel-Henry Kahnweiler", 1965. Format Blatt: 29,5 x 25 cm, Format Rahmen: 45,3 x 39,2 cm. Auflage 200 signierte Exemplare. Signaturen: Mit Bleistift rechts oben neben der Darstellung signiert, sowie im Druck signiert und datiert. Papier: BFK Rives. Rahmung: Die Grafik wurde frei ins Passepartout montiert und wertig unter Museumsglas in schwarz-goldener Holzleiste gerahmt. Verleger: Gerd Hatje, 1965. Werkverzeichnisse: Bloch 1180, Mourlot 404. Zustand: Altersgemäß sehr guter, sauberer Zustand in wertvoller Rahmung. Signatur des Verfassers.

Kein Einband. Condition: Sehr gut. Pablo Picasso (Malaga/Spanien 1881 -1973 Mougins/Frankreich). Titel: Visage. Technik: originale Lithografie. Entstehungsjahr: 1964. Anmerkung: Lithografie aus der Vorzugsausgabe des Buchs "Pour Daniel Henry Kahnweiler", 1965. Format Blatt: 29,5 x 25 cm, Format Rahmen: 45,3 x 39,2 cm. Auflage: 200 signierte Exemplare. Signaturen: Mit Bleistift unter der Darstellung signiert, sowie im Stein signiert und datiert. Papier: BFK Rives. Rahmung: Die Grafik wurde frei ins Passepartout montiert und wertig unter Museumsglas in schwarz-goldener Holzleiste gerahmt. Verleger: Gerd Hatje, Stuttgart, 1965. Werkverzeichnisse: Bloch 1179, Mourlot 403. Zustand: Altergemäß sehr guter, sauberer Zustand in wertvoller Rahmung. Signatur des Verfassers.

Kein Einband. Condition: Sehr gut. Pablo Picasso. Titel: Modèle et peintre Chauve. Technik: Kaltnadelradierung. Entstehungsjahr: 1966. Platte Motivgröße: 27,4 x 38,5 cm (10,7 x 15,1 in), Papiergröße: 42,2 x 50,1 cm (16,6 x 19,7 in). Papier: Velin von Rives. Auflage: 50 Exemplare, hier Nr. 21/50. Nummerierung: Links unter der Darstellung mit Bleistift nummeriert. Signatur: Rechts unter der Darstellung mit Bleistift signiert. Datierung: Rechts oben in der Platte "5.9.66. IV". Herausgegeben von der Galerie Louise Leiris, Paris 1968. Drucker: Crommelynck, Paris. Werkverzeichnis: Bloch 1374. Zustand: In sehr guter Erhaltung. Rahmung: In säurefreiem Passepartout hinter Glas in breiter, goldener Holzleiste gerahmt. Rahmengröße: 56,6 x 66,6 cm. Fragen beantworten wir gerne. Gerne senden wir Ihnen auch größere Bilddateien zu. Signatur des Verfassers.

Kein Einband. Condition: Gut bis sehr gut. Pablo Picasso. Modèle avec peintre au second plan. Technik: Aquatinta Radierung. Entstehungsjahr: 1966. Platte Motivgröße: 27, 4 x 38,5 cm (10,7 x 15,1 in), Papiergröße: 42,2 x 50,1 cm (16,6 x 19,7 in). Papier: Velin vin Rives. Auflage: 50 Exemplare, hier Nr. 8/50. Nummerierung: Links unter der Darstellung mit Bleistift nummeriert. Signatur: Rechts unter der Darstellung mit Bleistift signiert. Datierung: Rechts oben in der Platte "5.9.66 VI". Herausgegeben von der Galerie Louise Leiris, Paris 1968. Werkverzeichnis: Bloch 1376. Zustand: In guter Erhaltung. Mit leichter Bräunung im Passepartoutausschnitt. Verso umlaufend Reste vormaliger Montierung nach Recto überlappend. Rahmung: In säurefreiem Passepartout hinter Glas in breiter vergoldeter Holzleiste gerahmt. Rahmengröße: 56,6 x 66,6 cm. Fragen beantworten wir gerne. Gerne senden wir Ihnen auch größere Bilddateien zu. Signatur des Verfassers.

Bodo Boden, geboren am 2. Dezember 1937 in Rheine. Studium an der Werkkunstschule Dortmund (1957-59) und Akademie der Bildenden Künste Nürnberg (1960-64). Professor an der Fachhochschule Bochum. Original-Zeichnung auf Karton. Unterhalb der Abbildung von Bodo Boden in Tusche signiert und datiert (1973), bezeichnet: "Hommage a Picasso" (Inkl. Voluptas. Franz von Lenbach) zum 91. Geburtstag von Pablo Picasso". Maße Blatt: 57,5 x 45,7 cm. Maße Abbildung: 47,5 x 37,0 cm. Provenienz: Aus der Sammlung des Schriftstellers, Künstlers und Fernsehschaffenden Klaus Peter Dencker (geboren am 22. März 1941 in Lübeck-Travemünde, gestorben am 18. Juni 2021). Sehr gutes Exemplar. Original drawing on cardboard. Below the illustration by Bodo Boden signed and dated (1973), inscribed: "Hommage a Picasso" (incl. Voluptas. Franz von Lenbach) on the 91st birthday of Pablo Picasso ". Sheet dimensions: 57.5 x 45.7 Dimensions: 47.5 x 37.0 cm. Provenance: From the collection of the writer, artist and television maker Klaus Peter Dencker (born March 22, 1941 in Lübeck-Travemünde, died June 18, 2021). Very good Copy.

Kein Einband. Condition: Sehr gut. Pablo Picasso. Originale Radierung aus Fernando de Rojas "La Célestine". Titel: Eau forte 21 juillet 1968 Nr. 1. Entstehungstag: 12.07.1968. Auflage: 50 nummerierte und signierte Exemplare, hier Exemplar 10/50. Format der Platte: 9 x 12 cm. Ausschnitt Passepartout: 17,5 x 20,4 cm, Rahmenmaß: 38,5 x 41 cm. Wertig in goldener Leiste gerahmt, Rahmen ungeöffnet. Signatur: Unter der Darstellung mit Bleistift signiert. Werkverzeichnis: Bloch 1975, S. 250, Nr. 1693; Geiser 1992, Bd. VI, S. 432, Nr. 1709 B/b/1. Zustand. Sauberes Blatt (Sichtfläche), wertig gerahmt. Signatur des Verfassers.

No Binding. Condition: Very Good. Medium: Oil Two original oil paintings on each side of the same line canvas byCaziel (Kazimierz J??zef Zielenkiewicz, 16 June 1906 - 25 August 1988) a Polish artist who lived and worked in Paris during the inter-war period and who worked alongside a number of important figures of the School of Paris, including Pablo Picasso and the art dealer Daniel-Henry Kahnweiler,measuring approximately27 7/8 x 23 inchesin a frame measuring approximately34 3/4 x 30inches. See details and biography below. Thanks for looking at this fantastic painting.Signed CAZIEL lower rightBelgian linen canvasOriginal Stretcher with later frameLoss in sitter's hair and canvas ripplingNude has Galerie Allard exhibition stamp and with numbers 69 in ink pen on ankle another stamp upper rightFrom 1947 exhibition in Paris at Galerie AllardSitter attributed as his first wife Lutka PinkSimilar pose in the Grand Play of Light by Jenny PeryAfter a few years living in Russia, Caziel, his mother and stepfather fled Moscow, following the Russian Revolution (1917). Unable to return to their native Poland, they were forced to spend three years in Krasnoyarsk. Then a young boy, Caziel had to work for food and money, and among the many odd jobs he undertook he swept the studios of the local art school, as well as posing as a model for the life classes. Caziel was taken as a prot??g?? of the art school director and was encouraged by other students to draw and to take interest in art. By the time Caziel and his parents finally reached Poland in 1920, he had decided he would be an artist. The early development of Caziel as a painter took place in Warsaw amongst artists greatly influenced by the School of Paris. His early work, dating 1930s, carried many features characteristic of the expressive manner later so explicit in the works painted in France. In 1931 Caziel entered the Warsaw Academy of Arts and became one of the favoured students of Professor Tadeusz Pruszkowski, who ran the academy.During the Second World War, following the defeat of the Polish army, Caziel went into hiding in Aix-en-Provence, where he found himself at the centre of the milieu of C??zanne. As a tribute to the great modern master, Caziel painted a series of nudes, shaped by strong contour lines, placed in unusual compositions of depth and perspective and painted with simple colours. He also followed C??zanne in making the Mont Sainte Victoire his subject for a series of small oils. Back in Paris in 1947 Caziel developed an individual and colourful form of cubist abstraction. He had befriended Picasso who introduced him to the great modernists Le Corbusier and Br? ncu??i. In Paris Caziel first exhibited at the Galerie Allard (1947), then with Bernheim Jeune (1948) and at the Salon de Mai (1948 ??56). In 1946 he decorated the Polish pavilion at the UNESCO exhibition. During the 1950s, Caziel ??s paintings evolved into rigorous geometrical patterns, anticipating his pure abstract works of the 1960s. These abstract works were exhibited in London at the Grabowski Gallery.In 1952, while married to the painter Lutka Pink, Caziel met Catherine Sinclair, the eldest daughter of Archibald Sinclair, 1st Viscount Thurso, Secretary of State for Air during the war under Winston Churchill. His divorce from Lutka came five years later and then he married Catherine.Caziel ??s first visit to England in 1956 was celebrated by a family engagement party and in 1966 and 1968 Caziel had two successful solo exhibitions at the Grabowski Gallery in London. He also made an appearance on the British art scene, exhibiting work at the Royal Academy of Arts. In 1969 he moved to Somerset and was naturalised as British citizen in 1975. In Somerset, during the last years of his life, Caziel continue to explore Abstraction until his death in 1988. He believed in the healing power of art and therefore in its value to mankind. His remarkable legacy of paintings and drawings is a testament to his belief.Artist Chronology:1906: Born in So. Signed by Author(s).

Medium: Oil A stunning 1956 oil on board painting by American artist Harold A. Laynor (1922 - 1991) measuring 25 1/2 x 24 inches. Good condition with light loss and dust grime as pictured. Thanks for looking. Harold A. Laynor was born in New York City in 1922 and embarked on his artistic journey at the age of 12, when he traded his stamp collection for an oil?ÿpainting?ÿset. He attended the Art Students League in Woodstock, NY, and the Pan American Art School. He graduated from Parson??s School of Design. He earned at B.S. and M.S. from New York University and his doctorate from The State University of New York at Albany. Laynor served his country in World War II by joining other?ÿartists, architects and?ÿdesigners?ÿas a member of the famed ??Ghost Army?, the 603rd Camouflage Engineers. Wounded in the Battle of the Bulge, he convalesced in Paris and was able to study briefly with Pablo Picasso and was influenced by him throughout his career. Laynor was Professor of Art Emeritus at Millersville University, Millersville, PA. He was an Associate in Art Education for the New York State Department and was also the Superivsor of Art for the Poughkeepsie School District in New York State. As a renowned?ÿartist?ÿnationally and internationally, Laynor won many prestigious awards including the Louis Comfort Tiffany , Guggenheim Fellowship and the Huntington Hartford Fellowship for?ÿpainting. Laynor has exhibited in many important?ÿgalleries?ÿand many of his?ÿpaintings?ÿare included in special collections. Laynor??s World War II collection of?ÿpaintings?ÿwas exhibited all over the world. These?ÿpaintings?ÿwere created during and immediately after the war. An exhibit in Washington, D.C. to coincide the World War II Memorial, as well as an exhibit in?ÿLuxembourg?ÿat the General Patton Museum to commemorate the liberation of?ÿLuxembourg were some of his last major exhibitions. Region of Origin: US Size: Medium (up to 36in.).

No Binding. Condition: Very Good. Homage to Picasso 90th Birthday Exhibition Works From the Burkhardt Collection 16 1/4" x 24 1/4" signed by Hans Burkhardt exhibition held at Esther Robles Gallery 665 N. La Cienega Blvd., L.A., rare 1972 exhibition poster with a beautiful Picasso image and signed by the collector, noted artist Hans Burkhardt "very good, light wear, top left corner cut". Signed by Author.

Condition: Fine. Artist: Pablo Picasso, After, Spanish (1881 - 1973)Title: L'Age de Soleil (Pour Roby)Year: 1950 | Printed: circa 1968Medium: Etching, signed in the plateSize: 13 in. x 10 in. (33.02 cm x 25.4 cm)Frame Size: 20 x 18 inchesCatalog Number: Bloch 680Published by the Collector's Guild, NY.